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銅鼎也是統(tǒng)治政治權(quán)利的重要象征，人們把它視為鎮(zhèn)國之寶和傳國之寶，歷史記載天子九鼎，諸侯七鼎，卿大夫五鼎，士三鼎或一鼎。首鼎是我國目前發(fā)現(xiàn)刻銘長的一件戰(zhàn)國器物，十分珍貴，九鼎的使用，反映出中國政治制度已經(jīng)漢化，采用了中原大國的禮制，同也有力地證明中山國已躋身于強國之列。

  對于同類器物器形的鑒定，即使同一類型的銅器，也有可能出現(xiàn)的時間不同，形體也也會有很大變化，這也是斷定器物年代和真?zhèn)蔚闹匾罁?jù)，銅器作偽方法有以下幾種：全器均系偽器。器真銘文偽。器真紋飾偽。器真銘文、紋飾皆偽。銘文真器偽，器身有真有偽。一件器物由兩件或者三件真器部分殘片拼湊而成。器身真，但其他附件偽等，這些需要我們從器物類別特征、年代、時代風(fēng)格不同方面綜合的去分析。

  司母戊鼎是我國商代青銅器的代表作，造型厚重典雅，氣勢宏大，紋飾美觀莊重。母戊鼎標(biāo)志著商代青銅器鑄造技藝已達(dá)到相當(dāng)高的水平。

銅鼎被視為傳國重器、國家和的象征，而“鼎”字也被賦予“顯赫”、“尊貴”、“盛大”等引申意義。我國出土的鼎是司母戊大方鼎，除此之外，還有很多的銅鼎，如大盂鼎、盤龍城大銅鼎等。而現(xiàn)今的銅鼎，多圍繞鼎的自身意義在演變，鼎的具體造型大膽創(chuàng)新，比例協(xié)調(diào)大方，比起古代的鼎，添加了一份活力，加濃了些色調(diào)，更加象征著城市的文化底蘊。鼎在現(xiàn)在有著廣泛應(yīng)用，已成為公司信譽，能力的標(biāo)志，是公司開業(yè)、企業(yè)上市的禮品，如 “中華世紀(jì)鼎”、“和諧鼎”、“匯豐鼎”等。銅鼎已經(jīng)匯入了主流生活，為建設(shè)和諧，匯豐銅雕在社會做出了杰出的貢獻(xiàn)。

www.txhftdc.com匯豐銅雕

關(guān)于“鼎”的來歷及作用：鼎本來是古代的烹飪之器，相當(dāng)于現(xiàn)在的鍋，用以燉煮和盛放魚肉。許慎在《說文解字》里說：“鼎，三足兩耳，和五味之寶器也?！庇腥銏A鼎，也有四足方鼎。早的鼎是黏土燒制的陶鼎，后來又有了用青銅鑄造的銅鼎。傳說夏禹曾收九牧之金鑄九鼎于荊山之下，以象征九州，讓人們警惕，防止被其傷害。自從有了禹鑄九鼎的傳說，鼎就從一般的炊器而發(fā)展為傳國重器。國滅則鼎遷，夏朝滅，商朝興，九鼎遷于商都亳（bó）京；商朝滅，周朝興，九鼎又遷于周都鎬（hào）京。

About the origin and function of "Ding": Ding was originally an ancient cooking utensil, equivalent to the pot now, used for stewing and filling fish. Xu Shen said in Shuowen Jiezi: "Ding, three feet and two ears, and five flavors of the treasure also." There are three-legged round tripod and four-legged square tripod. The earliest tripod was pottery tripod made of clay, and later bronze tripod. Legend has it that Xia Yu once took Jiu Mu's gold and cast Jiu Ding under Jingshan Mountain to symbolize Jiuzhou, so that people are alert to avoid being hurt by it. Since the legend of Yuzhu Jiuding came into being, the tripod has evolved from a common cooker to a traditional heavy one. When the state was destroyed, Ding moved, Xia Dynasty was destroyed, Shang Dynasty was prosperous, Jiuding moved to the capital of Shang Du Bo (b); when the Shang Dynasty was destroyed, Zhou Dynasty was prosperous, and Jiuding moved to the capital of Zhou Du Ho (h o).